St. Croix River Visitor Experience Design

Design
Client
National Park Service
Project Year
2020-2021
My Role
Researcher, Designer
Skills used
Personas | Design Research | Spatial Design | Visual Design

"It's chaos."

The National Park Service manages a busy boat launch at Osceola Landing on the St. Croix National Scenic Riverway. Canoers, kayakers, and motorboat users struggle to stay safe while launching different types of boats to and from the water. My team's task was to improve the visitor experience at the launch. This multidisciplinary project also involved design and engineering of a second, motorized-only boat launch at the site (by project partners OTAK).

I used stakeholder focus groups and personas to understand the visitors to the launch and their specific needs, and a human-centered design process to solve the research question: 

How might the boat launch experience better meet the needs of of all users?

A typical busy day on Osceola landing with many human-powered boats launching.
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Several outfitters use Osceola Landing as the end point of a popular canoe/kayak day trip. Scores of novice boaters pull into the landing on weekend days, along with experienced boaters, some with motorized crafts.
Three personas identified for visitors to Osceola Landing.
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I created these user profiles/personas to build shared understanding and help the team advocate for how different visitors use the site.

Who are the users, and what are they doing?

I helped the park explore the needs and behaviors of all users at the site so that we could develop design solutions to address the needs of each. The largest group of users are canoers and kayakers who pull into the landing and leave their boat to be picked up by the outfitter.

With their boats stowed, users want to take care of basic needs, stretch their legs, find shade, and reflect on their trip—while waiting for their ride back.

Many of the safety solutions would focus on these boaters, but I developed three personas based on research with stakeholders that indicated different behaviors and needs for motorized boaters versus canoe and kayak boaters. A third category of visitors who utilize the rest of the landing—a park-like peninsula featuring fishing, a beach, picnicking, and walking trails—became our third persona.

How much design is enough?

The park client was focused on safety and infrastructure improvements, and had not envisioned what design elements on the site would be or how they could support their different types of users.

My first challenge was to assess what the client's appetite was for design interventions—elements that make the landing feel special, offer educational and interpretive experiences, and use intuitive cues to help visitors understand where to go and what to do.

I led a team of exhibit designers and partnered with the landscape architecture team to develop three options for the design of the boat landing and the park site. I co-facilitated a workshop where we helped the client select the features that met their needs. The client doubled the scope of the design portion of the project when they saw and understood how we might use design features to encourage desired visitor behaviors.

Annotated map of Osceola Landing showing interpretive sites.
Color, hand-drawn rendering of a plaza with interpretive elements.
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I developed design schemes in collaboration with the landscape architecture team. I communicated the design ideas to colleague Gail Wong who created the perspective sketch shown above.

Public meetings, selecting a scheme

I participated in a public open house to showcase the design alternatives and gain input from stakeholders. At the meetings, I conducted informal interviews with participants, then summarized and synthesized the results so that the team could reflect upon them when selecting a design direction.

I also interviewed park staff to understand what stories and content would be most impactful for visitors, help them connect to the river ecosystem, and promote their safety.

With public input, the park selected an approach with a low-profile river element in the paving surface, with sculptural elements that hold interpretive panels. A large pole would show the effects of seasonal flooding in the visitor plaza, allowing visitors to understand seasonal changes in the river they just paddled.

A hand-sketched drawing of the plaza planned for the St. Croix river landing.
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We iterated on the plaza design and components, working with the landscape architecture team to understand shade patterns in the space. Gail Wong again produced the above sketch to share with the client.

Designing the details

Once the scheme was selected and finalized, we worked closely with the client to develop the content and the look and feel of elements in the plaza.

Creating the final design package involved finalizing content and design details. As a project manager this phase requires vigilance to bring all elements to a practical completion while not compromising on the goals of the project.

I created all of the visual design for the project and supported a team that included a writer and a 3D designer. The project has now been built and installed, greatly improving visitor flow through the site and improving safety and comfort for thousands of park visitors each season.

a plan view drawing of a plaza showing a graphic of the St. Croix River planned for the plaza.
Poured concrete bench with interpretive graphics on a plaza with an inlaid rive graphic.
Green metal sculptural, angular frame nested into a poured concrete bench. Interpretive graphics are centered on the frame.
An interpretive wayside panel near a slough with tactile components.
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A large-scale map of the river in the plaza surface, graphics with sculptural frames, and trail waysides with tactile elements.
The project also included designing maps to help visitors plan their river trip and navigate the park site. Maps were made tactile for accessibility.

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